I admit it, I find that the ridiculously harsh approach of dramaturgy of the movies "Saw" bloody films is ridiculously absurd. Imagine an Agatha Christie-style polar, where a killer has trapped a room full of victims in one place. Stop laughing, Christie's "Ten Little Indians" is verified in several scenes from "Jigsaw", the latest film in the mystery-horror series: a handful of victims claimed by serial killer John "Jigsaw" Kramer (Tobin Bell) is discovered with cards on their bodies that read "And then there was [Insert the descending number of corpses here]". New 2017 Jigsaw Movie imagines that he has high moral standards and is, with each severely trapped "test" of endurance, balancing the scales of divine justice by allowing criminals to confess their sins, or suffer the consequences. Now, launch a lot of incredibly sensational movies, especially dark camera filters, over-edited action sequences and harsh monologues about how people really do not like life until they've failed. die. Then, in addition to that, including a bunch of twists and seven backstory sequences, mostly related to abrupt flashbacks, and a complicated informative dialogue. And now, you have a sure-fire recipe for a group of big, abnormally dark thriller-style thrillers, all of which are built on a wobbly, retroactively planned narrative. These films are so exaggerated that you can not help but marvel at the aggressive and clumsy attempts of their creators to alienate and attract you at once.
All the death traps mentioned above are either set in motion by random physical movements or hyped until their true craving is the real attraction. Think about what you expect compared to what you like in the attraction of a haunted carnival house. You enter, hoping to be sincerely frightened, and let you laugh with gratitude all the inexplicable, pseudo-macabre details. Crazy actors! The cheap costumes! The distracting curtains!
Watching and enjoying "Jigsaw" is not so different. Some traps are spectacularly lazy, such as the one where victims are trapped in a grain silo, buried in grain (and guessed), then thrown with various garden tools and work tools, such as a table saw blade, long nails, and even a fork. Other pitfalls cannot be taken seriously because you can not understand how they test the morality or will of competitors, such as when a protagonist of the puppet is lowered into a meat grinder-type device and must cross the arm long enough to pull a handle. All Jigsaw traps have confusing pressure points (Do not walk there!), Lazy solutions (Do not shoot at it!) And a blatantly obvious word game (Do not ignore the literal meaning of this sentence!).
These scenes of deadly killing killings are nice if you like going to a movie theater and screaming on the screen. Yes, the stupidity and annoyance of forgettable characters will put you to the test. And yes, the stacked nature of their secret sins will make you laugh. And yes, the pure absurdity of the shared situation of the protagonists will often make you want to tear your hair. Any of these elements could make "Jigsaw" a chore.



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